{"title":"Dry Grasses","description":"\u003cp\u003eWarm weather experimental \u0026amp; ambient textures.\u003c\/p\u003e","products":[{"product_id":"arv-miljo-jorden-forst","title":"Arv \u0026 Miljö - Jorden Först","description":"\u003cp\u003e\u003cstrong\u003eArv \u0026amp; Miljö\u003cbr\u003e\u003c\/strong\u003eJorden Först\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"UTF-8\"\u003eDiscreet Music\u003cbr\u003eSweden, 2024\u003cbr\u003eLP\u003cbr\u003e\u003cbr\u003eBlurring the lines between sound collage, outsider composition, and radio documentary, \u003cem\u003eJorden Först\u003c\/em\u003e loosely tells the story of the Earth First! movement, a decentralized group of radical environmental activists. With brilliant editing, resonant synth tones, \u0026amp; snatches of environmentalist folk songs through the ages, it’s a surprisingly moving portrait of those who won’t give in to futility and are willing to try. 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It’s a gnarly one, \u0026amp; strangely entrancing.\u003cbr\u003e\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3588225416\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/discreetmusicgbg.bandcamp.com\/album\/operation-segerpil\"\u003eOperation Segerpil by Operation Segerpil\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":41645424640134,"sku":null,"price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/a0414137280_10.jpg?v=1742357183"},{"product_id":"hugo-randulv-drunkna-i-ljus","title":"Hugo Randulv - Drunkna I Ljus","description":"\u003cp\u003e\u003cstrong\u003eHugo Randulv\u003c\/strong\u003e\u003cbr\u003eDrunkna I Ljus\u003cbr\u003eDiscreet Music\u003cbr\u003eSweden, 2025\u003cbr\u003eLP\u003cbr\u003e\u003cbr\u003eFresh growth pushing up out of the Gothenburg soil. With \u003cem\u003eDrunkna I Ljus\u003c\/em\u003e (”Drown in Light”), Hugo Randulv gives us something completely different: billowy, sustained electric cello chords that sway gently for a side and a half until a fit of high-pitched feedback momentarily breaks the spell \u0026amp; reminds you where this came from. Gorgeous.\u003cbr\u003e\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4076691297\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/discreetmusicgbg.bandcamp.com\/album\/drunkna-i-ljus\"\u003eDrunkna I Ljus by Hugo Randulv\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":41645439385734,"sku":null,"price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/a2120188012_10-2.jpg?v=1742357403"},{"product_id":"annie-a-the-wind-that-had-not-touched-land","title":"Annie A - The Wind That Had Not Touched Land","description":"\u003cp\u003e\u003cstrong\u003eAnnie A\u003cbr\u003e\u003c\/strong\u003eThe Wind That Had Not Touched Land\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"UTF-8\"\u003eA Colourful Storm\u003cbr\u003eFrance\/UK\/Australia, 2025\u003cbr\u003eLP\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA collaboration between electro-acoustic composer Felicia Atkinson, poet Christina Petrie, and DJ duo Time is Away, with a sweet, dizzy finale by Maxine Funke. As radio artists, Time is Away blur the line between curation \u0026amp; creation, and it’s the spirit of their beloved NTS program that animates this syncretic tribute to the textile artist Annie Albers. \u003c\/p\u003e\n\u003cp\u003eThis is a record to make a quiet moment for. Don’t expect it to overpower you or clamor for your attention. Invite it in, make a cup of tea. Smile encouragingly across the table. Give it time. 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It’s hard to avoid the word “elusive” when talking about the music of Elodie, the duo of Andrew Chalk and Timo van Luijk: a passing thought, a curl of smoke, a word that was almost on the tip of your tongue. I keep replaying this one to try to catch its magic; failing yields new pleasures every time.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3299307517\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/elodie3.bandcamp.com\/album\/traces-eph-m-res\"\u003eTraces Ephémères by Elodie\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42440961163398,"sku":null,"price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Elodie_-_Traces_Eph_m_res_cover.jpg?v=1757887502"},{"product_id":"weston-olencki-broadsides","title":"Weston Olencki - Broadsides","description":"\u003cp\u003e\u003cstrong\u003eWeston Olencki\u003cbr\u003e\u003c\/strong\u003eBroadsides\u003cbr\u003e\u003cspan\u003eOutside Time\u003c\/span\u003e\u003cbr\u003eUSA, 2025\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003eJaw-dropping LP presenting an exploded view of American folk music, manipulating its raw materials with electronic processing to create a beautiful, overwhelming post-modern quilt. Field recordings of freight trains, running water, chirping insects, and ticking clocks provide the throughline of an abstracted journey while traditional instruments accumulate uncanniness, like the swarm of processed banjo plucks that overtake “Foggy Mountain Breakdown” like a plague of locusts.\u003c\/p\u003e\n\u003cp\u003eI can’t say I’ve heard America taken apart this radically in music. The closest I can think of is certain experiences in the theater, where playwrights like Suzan-Lori Parks and Brandon Jacobs-Jenkins have found disquieting ways to unpick our self-mythologies and stitch them up so we can see the ugly seams again. In terms of recorded music, I can only imagine Harry Smith taking a dramatically different path and making heady concrète out of the records he collected instead of cataloguing them so faithfully (if idiosyncratically).\u003c\/p\u003e\n\u003cp\u003eThis is not always an easy listen, but it’s meticulously constructed and often gorgeous. The Washington D.C. label Outside Time has been putting out some fascinating work from the outset, and with their first leap from cassette to vinyl, they’ve given us an LP to sit with for a good long while.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3569779269\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/westonolencki.bandcamp.com\/album\/broadsides\"\u003eBroadsides by Weston Olencki\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42475071406214,"sku":null,"price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Weston_Olencki_-_Broadsides.jpg?v=1759355901"},{"product_id":"delphine-dora-ayami-suzuki-kagome-kagome","title":"Delphine Dora \u0026 Ayami Suzuki - Kagome Kagome","description":"\u003cp\u003e\u003cstrong\u003eDelphine Dora \u0026amp; Ayami Suzuki\u003c\/strong\u003e\u003cbr\u003eKagome Kagome\u003cbr\u003eAn'archives\u003cbr\u003eJapan, 2025\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003eKindred spirits unite on An’archives! Delphine Dora and Ayumi Suzuki are both known for their idiosyncratic, improvised vocal practices. For these duets, Dora communes with a 104-year-old harmonium while Suzuki adds a cloud of electronics, laying the groundwork for their ghostly vocal explorations. At times they conjure a serene beauty, at times a terrible beauty, but it’s always a strange beauty, deeply spiritual \u0026amp; haunted.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3263112677\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ayamisuzuki.bandcamp.com\/album\/kagome-kagome\"\u003eKagome Kagome by Delphine Dora \u0026amp; Ayami Suzuki\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFROM THE LABEL:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"has-text-align-center\"\u003eAn’archives is proud to present Kagome Kagome, the first collaboration between France’s Delphine Dora and Japan’s Ayami Suzuki. Curious listeners might know Dora from the string of lovely, idiosyncratic albums she’s released over the past two decades, most recently for labels like Modern Love, Morc and Recital; she’s also worked with the likes of Michel Henritzi and Sophie Cooper. Suzuki’s performances, predominantly for voice, place her within a tradition of Japanese improvised music – see the music she’s made with artists such as Takashi Masubuchi, TOMO and Leo Okagawa – but her approach also takes in folk song, ambience and claustrophobic drone.\u003c\/p\u003e\n\u003cp class=\"has-text-align-center\"\u003eOn Kagome Kagome, Dora and Suzuki play to their many strengths: a gentle, free-willed folksiness; long, aerated drone constructs; ghostly, time-warping explorations for voice. They met on Dora’s May 2024 tour of Japan, though they’d been in touch beforehand, with Dora proposing the collaboration to Suzuki, developed around “concepts of ‘otherworldliness’ and ‘impermanence’,” the latter says, “and explored the relationship between ‘the invisible’ and sound in Japanese culture – a common interest we share.”\u003c\/p\u003e\n\u003cp class=\"has-text-align-center\"\u003eThey recorded across several days that month, with the sessions for Kagome Kagome taking place in Kanumi, in Tochigi prefecture, at a space named Center. “I was particularly looking forward to seeing Delphine encounter the vintage 104-year-old harmonium from Nippon Gakki Seizo Co. that had just been repaired at Center,” Suzuki recalls. “It was as if the harmonium had been waiting for Delphine to draw sound from it. I felt it was a beautiful relationship where they could guide each other.”\u003c\/p\u003e\n\u003cp class=\"has-text-align-center\"\u003eIndeed, there’s something channelled about the music that Dora and Suzuki made together in the session that constitutes Kagome Kagome. Dora’s harmonium might be the spine of the album, but Suzuki’s free-floating voice, and gaseous, muddied banks of electronics, wrap around the wheezing, ancient tonality of the harmonium beautifully – they, too, sound as though they were just waiting to be willed out of the daytime air. Their voices nestle together beautifully – “when we sang together in a tunnel,” Suzuki says, “there were times when we sang the exact same melody without planning. It happened so naturally that the boundaries between us became blurred.”\u003c\/p\u003e\n\u003cp class=\"has-text-align-center\"\u003eAnd that title? It’s drawn from a Japanese children’s song, and the song titles themselves constitute the song’s lyrics, in alternating Japanese (Romanized) and French language. Urban legend connects the song “Kagome Kagome” to the Nikko Toshogu Shrine, nearby Center, that Suzuki and Dora visited while they were in Kanumi. “The mysterious lyrics of ‘Kagome Kagome’ and its puzzle-like connection to Nikko Toshogu were a perfect fit for this mysterious album,” Suzuki reflects, “which I think has its own kind of puzzle-like elements.”\u003c\/p\u003e\n\u003cp class=\"has-text-align-center\"\u003eA deep album of prayer and magic, of divination and ritual, Kagome Kagome’s sense of serious play, its rich beauty, feels somehow dislocated from our time. If you’ve ever enjoyed the music of Nico, Kendra Smith, Charalambides, or other channelers of ghostly mystery, its eerie otherness will, somehow, feel oddly familiar.\u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42515382141062,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Delphine_Dora_Ayami_Suzuki_-_Kagome_Kagome_album_cover.jpg?v=1760806054"},{"product_id":"nancy-mounir-nozhet-el-nofous","title":"Nancy Mounir - Nozhet El Nofous","description":"\u003cp\u003e\u003cstrong\u003eNancy Mounir \u003cbr\u003e\u003c\/strong\u003eNozhet El Nofous\u003cbr\u003eHolidays Records\u003cbr\u003eEgypt\/Italy, 2022\/2025\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003eOn \u003ci\u003eNozhet El Nofous \u003c\/i\u003e(\"Promenade of the Souls\" in Arabic), Nancy Mounir engages in time-defying conversations with popular Egyptian singers from the turn of the 20th century, fleshing out scratchy period recordings with her own sensitive, restrained arrangements. Mounir’s touch is so subtle that it can take a few spins before it becomes clear how profound her interventions are, not adding ornamentation so much as creating new harmonic contexts for vanished modes of expression. Beautiful and haunting.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=505151515\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/nancymounir.bandcamp.com\/album\/nozhet-el-nofous\"\u003eNozhet El Nofous by Nancy Mounir\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp class=\"MsoNormal\"\u003e--\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFROM THE LABEL: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eNancy Mounir’s debut album, Nozhet El Nofous, is a remarkable communion with ghosts. Moody, hypnotic, and sneakily catchy, the album—whose title means “Promenade of the Souls'' in Arabic—explores microtonality, non-metered rhythms, and bold vulnerability through a musical dialogue between Mounir’s own arrangements and the sounds of archival recordings of once-famed singers from Egypt at the turn of the 20th century. Adding her own ambient arrangements over voices haunted with passion and desire as she creates a sound that is warmly familiar but utterly new.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOn the album, Mounir slips into the gaps left by the lost frequencies of the aging recordings, finding space for counterpoint and harmony in a traditional sound built on monophony. Elegant melodies unfold in measured gestures as Mounir—who plays most of the instruments herself—revels in the plaintive intonations and brash lyrics of the departed singers. With layers enmeshed together, it’s at times hard to pin down when the past ends and the present begins, but beneath it all is a liberating attitude of defiance that feels timeless. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNozhet El Nofous is brilliant in the way it explores the techniques and perspectives of a more freewheeling time period in Arabic music, before Arabic maqam (modal systems) and other musical\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e foundations were standardized by the Middle East’s cultural power brokers in the early 1930s. As she summons a rich, atmospheric landscape of tone and texture, Mounir engages an older generation of musical rebels in a creative dialogue across time and space—and the results are stunning in their ambition and beauty.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42546798297222,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Nancy_Mounir_-_Nozhet_El_Nofous.jpg?v=1762116507"},{"product_id":"julien-grossmann-rumanikos-kokin-mixolydian-kourd-atar-pigmy-slendro","title":"Julien Grossmann - Rumanikos, Kokin, Mixolydian, Kourd Atar, Pigmy, Slendro","description":"\u003cp\u003e\u003cstrong\u003eJulien Grossmann\u003c\/strong\u003e\u003cbr\u003eRumanikos, Kokin, Mixolydian, Kourd Atar, Pigmy, Slendro\u003cbr\u003e\u003cspan\u003eSelf-released\u003c\/span\u003e\u003cbr\u003eNetherlands, 2011\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eCool deadstock find courtesy of the expert Parisian digger Pierre-Arthur Michau aka PAM—music composed for a 2013 art exhibition exploring the strange ways geography and culture can be evoked by something as intangible as a musical scale. Uncannily coaxed from software instruments, this is nevertheless organic, tactile music, a series of fascinating dioramas to peek inside.\u003cbr\u003e\u003cbr\u003eAfter closing out a recent late-night session with this, it's really hitting home what a strange and cool record it is. Underrated by myself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Q2yUsxdB3Bk?si=ti_neYfBqhlbymKk\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lAuxrTgAJ2U?si=vYQ8jj-i03Qdosks\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/R48Taw8QuPg?si=1AfW3giLHzbIF-au\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/FmnhusJps7Y?si=UDEPtuG3NPH4VPOx\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/i\u003e\u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42966592618630,"sku":null,"price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Julien_Grossmann_-_Rumanikos_Kokin_Mixolydian_Kourd_Atar_Pigmy_Slendro.jpg?v=1764721070"},{"product_id":"ippei-matsui-aki-tsuyuko-natsu-no-zenbu-2025-cd-edition-in-gatefold-lp-sleeve","title":"Ippei Matsui \u0026 Aki Tsuyuko ‎– Natsu No Zenbu (2025 - CD Edition in gatefold LP sleeve)","description":"\u003cp\u003e\u003cstrong\u003eIppei Matsui \u0026amp; Aki Tsuyuko ‎\u003cbr\u003e\u003c\/strong\u003eNatsu No Zenbu\u003cbr\u003eAll Night Flight\u003cbr\u003eJapan\/UK, 2008\/2025\u003cbr\u003eCompact Disc in gatefold LP sleeve\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eAn old favorite in a new format (though a familiar package).\u003cspan\u003e \u003c\/span\u003eA drifting, dreamlike summer diary, recorded as a way to break in a country house and offered as a gift to friends at their wedding that fall.\u003cspan\u003e  \u003c\/span\u003e“We want our music to sound like everyday life.” It does.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/mAKPl8PQ8R4?si=6Hgq0e0tBKjhw5Ho\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFROM THE LABEL:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2025 CD EDITION IN ORIGINAL GATEFOLD LP SLEEVE\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWe found that an old Japanese house with 13 rooms was being rented out at a really cheap price, it was about 40 minutes from Nagoya, just around the border between Gifu and Aichi. We decided to move there right away.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThere was a railroad track behind the house (the line called Chuo Line), but it was a rural road and the train was a comfortable noise. The sound of train passing through occasionally comes in the album. A river runs nearby, and if we go about five minutes from our house, a dim mountain path and a valley appears. However, this area has been known as a haunted spot for a long time, and it is not a place to enjoy hiking and driving, but there are lonely motels and ruins. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhen we passed through the mountain path, we felt a thick and dismal air. We moved to the old house in Kozoji in spring 2008, and we brought the piano that was in Ippei's family's house and Aki's big electronic organ there. The house was surrounded by fields, and sounds of birds, frog and insects, our own voices, the sounds of the kitchen and so on, all resonated well in the huge house. We were about to get married in the fall. Ippei was unemployed and had time that summer. Aki was happy with the piano she had for the first time, and we naturally started to try recording in this resonating house. At the same time, we came up with this as a gift for our friends at our wedding party. That became our all of summer.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLonggg time in the works second release on the shop’s humble in-house label finally birthed into existence via Japanese couple Ippei Matsui and Aki Tsuyuko with their 27-track strong, homemade private epic ‘Natsu No Zenbu’.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eA profound and intensely intimate collection of songs written at home throughout the summer of 2008, spurred-on after a move to an old-styled Japanese house in the countryside,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eas Aki explains. ‘We found that an old Japanese house with 13 rooms was being rented at a really cheap price, around 40 minutes from Nagoya, just around the border between Gifu and Aichi.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eWe decided to move there right away’.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eEnjoying the freedom and secluded atmosphere of their new surroundings, they naturally began recording in their new space, day-by-day becoming more in-sync with the environment and making music to suit the pace of daily life.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe collection is centred around Aki’s minimalistic organ and piano pieces, subtly processed electronics and Ippei’s introspective moments of guitar feedback, heavily immersed within the surroundings of their natural habitat tucked safely away from the fast pace of the city.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere’s a distinct homey atmosphere, laced heavy with nostalgia. A train passes by, insects croaking in the distance and the sound of rain falling outside.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAt times it feels as though you could be intruding on their privacy just by listening in, although we’re offered an alternative, simpler view of the world by two musicians creating natural music for themselves.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAki’s simplistic, dreamlike organ play works in perfect harmony with Ippei’s gently strummed guitar work, conjuring other-worldly atmospheres entrenched in a sense of child-like innocence.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eIt genuinely feels as\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eif you could have been hearing this music all along, although you can’t be sure with the sounds and languages equally familiar and inviting as they are foreign. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt’d be wrong to single out any of the tracks individually, each playing a part in building the unique environment.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eComparisons for such singularly beautiful, outsider \/ DIY releases are near-impossible, yet Nuno Canavarro’s enchanting minimalist classic Plux Quba, Satie's romanic reductionism or the home-grown, everyday sounds within Ernest Hood’s Neighbourhoods would be a good place to start.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA genuine pleasure to be able to put out and finally share this special work from two true artists.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAki \u0026amp; Ippei explain it more simply, ‘we want our music to sound like everyday life’.\u003cspan class=\"Apple-converted-space\"\u003e   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNatsu No Zenbu (All Of Summer) originally appeared CDr in 2008 and was given to close friends, guests at their wedding, a few stores in Japan and even trickled over to the All Night Flight site way before the shop was a thing.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThis gatefold CD edition comes remastered by Miles Whittaker (Demdike Stare) and manufactured by Pallas, including original artwork insert made by Ippei, riso-printed by John Powell-Jones. \u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42975235408006,"sku":null,"price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Ippei_Matsui_Aki_Tsuyuko_Natsu_No_Zenbu.jpg?v=1764540107"},{"product_id":"copenhagen-clarinet-choir-anders-lauge-meldgaard-jeux-deau","title":"Copenhagen Clarinet Choir \u0026 Anders Lauge Meldgaard - Jeux d'eau","description":"\u003cp\u003e\u003cstrong\u003eCopenhagen Clarinet Choir \u0026amp; Anders Lauge Meldgaard\u003c\/strong\u003e\u003cbr\u003eJeux d'eau\u003cbr\u003eConatala\u003cbr\u003eDenmark\/Japan, 2025\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBubbling, effervescent compositions for clarinet choir and Ondomo—a Japanese evolution of the theremin-like ondes Martenot. Inspired by the Italian fountains in the Villa d’Este in Tivoli—which also inspired works by Liszt and Ravel—these are fluid, surprising movements. The Ondomo can blend in with the clarinets before emerging in an uncanny warble, while clacking clarinet keys supply percussive elements along with gurgling water. Altogether lovely and immersive.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4243438764\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/copenhagenclarinetchoir.bandcamp.com\/album\/jeux-deau\"\u003eJeux d'eau by Copenhagen Clarinet Choir \u0026amp; Anders Lauge Meldgaard\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42975263588486,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Copenhagen_Clarinet_Choir_Anders_Lauge_Meldgaard_-_Jeux_d_eau.jpg?v=1765057840"},{"product_id":"satch-hoyt-unmuting-10","title":"Satch Hoyt - Un-Muting (10\")","description":"\u003cp\u003e\u003cstrong\u003eSatch Hoyt\u003cbr\u003e\u003c\/strong\u003eUn-Muting\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIsle of Jura\u003c\/span\u003e\u003cbr\u003eAustralia, 2025\u003cbr\u003e10\"\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eAstonishing new project by the artist \u0026amp; musician Satch Hoyt, unmuting ancient African instruments that have long been incarcerated in Western museums, “exiled into the vitrines of empire, their voices stilled by taxonomic theft,” as scholar Tavia Nyong'o puts it. In Hoyt’s hands, these ancestors speak \u0026amp; breathe again. I highly recommend his \u003ca href=\"https:\/\/soundcloud.com\/throughlines-vfr\/un-muting-with-satch-hoyt?si=649709ff966c4f6cb80a55260586e58a\u0026amp;utm_source=clipboard\u0026amp;utm_medium=text\u0026amp;utm_campaign=social_sharing\" target=\"_blank\" title=\"Throughlines: Un-Muting with Satch Hoyt \/\/ Radio alHara \/\/ 11.11.25\" rel=\"noopener\"\u003eilluminating interview\u003c\/a\u003e with my fellow Valley Free Radio programmer Erin Alexa of Throughlines. Tip!\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1040976571\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/traza.bandcamp.com\/album\/un-muting\"\u003eUn-Muting by Satch Hoyt\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43027131891846,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/a1907288718_10.jpg?v=1767558654"},{"product_id":"teppana-janis-arja-kastinen-teppana-janis","title":"Teppana Jänis \u0026 Arja Kastinen - Teppana Jänis","description":"\u003cp\u003e\u003cstrong\u003eTeppana Jänis \u0026amp; Arja Kastinen\u003c\/strong\u003e\u003cbr\u003eTeppana Jänis\u003cbr\u003eDeath Is Not The End\u003cbr\u003eFinland\/UK, 2025\u003cbr\u003eLP\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3464537085\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/deathisnot.bandcamp.com\/album\/teppana-j-nis\"\u003eTeppana Jänis by Teppana Jänis \u0026amp; Arja Kastinen\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFROM THE LABEL:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eTeppana Jänis was born in the village of Uuksujärvi in Suistamo on 21 June 1850. After becoming blind in the late 19th century, he went house to house, supporting himself by playing the kantele, a traditional Finnish and Karelian plucked string instrument belonging to the southeast Baltic box zither family. He performed at dances and in schools, and also participated in the Suistamo kantele and runosong competitions in 1911.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn the summers of 1916 and 1917, the young folk music researcher Armas Otto Väisänen (1890-1969) made collecting trips to Border Karelia. His aim was to collect kantele tunes, laments and shepherd melodies, which were confusingly few in the archives. The 1916 trip was financed by the Finnish Literature Society, who provided a phonograph for recording purposes. In 1917, the trip was financed by the Kalevala Society and the recording was carried out using a parlograph. During these two summers, Väisänen recorded kantele players in the parishes of Suojärvi, Korpiselkä, Suistamo, Tuupovaara, Kitee and Impilahti. Väisänen met Teppana Jänis in both summers and transcribed 22 kantele melodies from him. He recorded 14 of these on wax cylinders.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis LP, titled simply ‘Teppana Jänis’ fuses and\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e intertwines the original raw cylinder recordings with replayed pieces by Kantele player and researcher Arja Kastinen together with the now late Finnish folk musician Taito Hoffrén, taking into account the additional information and notes found in Väisänen's sheet music manuscripts. Warm thanks to the Finnish Literature Society for permission to use the archive recordings, to Risto Blomster for his invaluable assistance, and to the Karelian Cultural Foundation.\u003cbr\u003e\u003cbr\u003eRecorded 1916-17 and 2020-21.\u003cbr\u003eIn memoriam Taito Hoffrén (1974–2024)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43055066022022,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Teppana_J_nis_Arja_Kastinen_-_Teppana_J_nis.jpg?v=1768419646"},{"product_id":"wednesday-knudsen-atrium","title":"Wednesday Knudsen - Atrium","description":"\u003cp\u003e\u003cstrong\u003eWednesday Knudsen\u003c\/strong\u003e\u003cbr\u003eAtrium\u003cbr\u003eSPINSTER\/Feeding Tube\u003cbr\u003eUSA, 2025\u003cbr\u003e2LP\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eNuminous minimalist compositions and evocative tone sculptures from New England local hero Wednesday Knudsen, molded from layered alto sax, flute, guitar, synth, piano, autoharp, bass, and vocals. After years of playing in various groups around Western Mass. and New York, \u003cem\u003eAtrium\u003c\/em\u003e is the sound of Wednesday alone, nudged by pandemic solitude towards the beauty of stillness.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2034108884\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/wednesdayknudsen.bandcamp.com\/album\/atrium-2\"\u003eAtrium by Wednesday Knudsen\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43078704464006,"sku":null,"price":36.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/a1510372621_10.jpg?v=1769203271"},{"product_id":"daniel-osullivan-richard-youngs-persian-carpets","title":"Daniel O'Sullivan \u0026 Richard Youngs - Persian Carpets","description":"\u003cp\u003e\u003cstrong\u003eDaniel O'Sullivan \u0026amp; Richard Youngs\u003c\/strong\u003e\u003cbr\u003ePersian Carpets\u003cbr\u003eVHF\u003cbr\u003eUSA, 2026\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBlissful, meditative works for piano and zither by Daniel O’Sullivan (the composer behind one of my favorite albums of 2025) and the prolific, shape-shifting Richard Youngs. Quite different from anything I’ve heard from either of them, a shower of sun motes perfect for throwing the curtains open and clearing the cobwebs away.\u003c\/p\u003e\n\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A2098081499\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003cdiv style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/vhfrecords\" title=\"vhfrecords\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003evhfrecords\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/vhfrecords\/sets\/daniel-osullivan-richard-youngs-persian-carpets-vhf169-lp\" title=\"Daniel O'Sullivan \u0026amp; Richard Youngs - Persian Carpets (vhf#169 LP)\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eDaniel O'Sullivan \u0026amp; Richard Youngs - Persian Carpets (vhf#169 LP)\u003c\/a\u003e\n\u003c\/div\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43078738444422,"sku":null,"price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Daniel_O_Sullivan_Richard_Youngs_-_Persian_Carpets.jpg?v=1769204849"},{"product_id":"idea-fire-company-hot-enough-for-you","title":"Idea Fire Company - Hot Enough For You?","description":"\u003cp\u003e\u003cstrong\u003eIdea Fire Company\u003cbr\u003e\u003c\/strong\u003eHot Enough For You?\u003cbr\u003eHorn of Plenty\u003cbr\u003eUSA\/UK, 2025\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003eCharming fish-tank psychedelia. Maybe I’m suggestible, or maybe the cover art is just spot on. No denying the bubbling synths, the woozy backlit whimsy, the circles going round and round. 37 years these folks have been at it, and I still don’t quite know what to say. I do know this has quickly become one of my favorites from them. Fantastic.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1393041448\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/horn-of-plenty.bandcamp.com\/album\/hot-enough-for-you\"\u003eHot Enough For You? by Idea Fire Company\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43104203505798,"sku":null,"price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/a1775399869_10.jpg?v=1770486341"},{"product_id":"the-watchers","title":"The Watchers","description":"\u003cp\u003e\u003cstrong\u003eThe Watchers\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eFolklore Tapes\u003c\/span\u003e\u003cbr\u003eUK, 2026\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003eA bewitching re-imagined soundtrack for the cult film \u003ci\u003eThe Watchers\u003c\/i\u003e from 1969. “Described by Kelly Loughlin as a ‘semi-rural folk horror,’ \u003ci\u003eThe Watchers\u003c\/i\u003e may feature the earliest depiction of an alien abduction in British cinema. Shot on 16mm black-and-white film by students of the Royal College of Art and running just 26 minutes, the film weaves together themes and stylistic elements that would later become hallmarks of British folk horror.”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe music fits the bill perfectly, moving from organic folk timbres to the uncanny and the otherworldly with grace and wondrous dread.\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3211873968\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/folkloretapes.bandcamp.com\/album\/the-watchers\"\u003eThe Watchers by Folklore Tapes\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"UTF-8\"\u003eArtists:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDan B-Hill\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJulie \u003c\/span\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e7:12 \u003cbr\u003eThorn Wych\u003cbr\u003eMark S Williamson\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003eRadiophoric Labs\u003cbr\u003eBridget Hayden\u003cbr\u003eSam McLoughlin\u003cbr\u003eEdd Sanders\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43727370420358,"sku":null,"price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/The_Watchers.jpg?v=1774103449"},{"product_id":"el-jardin-de-las-matematicas-el-jardin-de-las-matematicas","title":"El Jardín de las Matemáticas - El Jardín de las Matemáticas","description":"\u003cp\u003e\u003cstrong\u003eEl Jardín de las Matemáticas\u003cbr\u003e\u003c\/strong\u003eEl Jardín de las Matemáticas\u003cbr\u003e\u003cspan\u003ePenultimate \u003c\/span\u003ePress\u003cbr\u003eUK, 2024\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003eOtherworldly faux-ethnographic folk music from two members of the under-sung underground Chilean group Glorias Navales along with Pablo Picco and Mark Harwood.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThe press release cites a battery of instruments including “Chinese drum, ocarina, shakers, flutes, whistles, violin, bells, acoustic guitar, gongs, clarinet, n’vike, harmonium, Korg ms-20, moceño, tapes, owl flute and more.” What’s startling is the ends these variegated means are put to: a psychedelic avant-garde concrète that feels as natural as oil paint and as alien as the wildest abstract expressionism.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3095265575\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/penultimatepress.bandcamp.com\/album\/el-jard-n-de-las-matem-ticas\"\u003eEl Jardín de las Matemáticas by El Jardín de las Matemáticas\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43727371305094,"sku":null,"price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/El_Jard_n_de_las_Matem_ticas.jpg?v=1774103967"},{"product_id":"various-artists-heisei-no-oto-japanese-left-field-pop-from-the-cd-age-1989-1996-copy","title":"Roberto Musci - Tower Of Silence","description":"\u003cp\u003e\u003cstrong\u003eRoberto Musci\u003c\/strong\u003e\u003cbr\u003eTower Of Silence\u003cbr\u003e\u003cmeta\u003e\u003cspan\u003eMusic From Memory\u003c\/span\u003e\u003cbr\u003eItaly\/The Netherlands, 2016\u003cbr\u003e2LP (2026 repress)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA modern classic of a compilation, first released in 2016 and collecting music from 1984 onwards. Roberto Musci is an Italian composer and musician as well as an avid ethnomusicologist, and his work documenting and exploring the musical traditions of India, Asia, and Africa deeply influences his own practice. While this material is minimal enough to be considered “ambient,” it’s some of the most textured, organic, and imaginative music I’ve heard in that vein. World-traversing and world-building. Phenomenal.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=803397675\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/music-from-memory.bandcamp.com\/album\/tower-of-silence\"\u003eTower Of Silence by Roberto Musci\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43728095936646,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Roberto_Musci_-_Tower_Of_Silence.jpg?v=1774201943"},{"product_id":"jonas-torstensen-den-falmede-dag","title":"Jonas Torstensen - Den falmede dag (Cassette)","description":"\u003cp\u003e\u003cstrong\u003eJonas Torstensen\u003c\/strong\u003e\u003cbr\u003eDen falmede dag\u003cbr\u003eKashual Plastik\u003cbr\u003eDenmark\/Germany, 2026\u003cbr\u003eCassette\u003cbr\u003e\u003cspan\u003e\u003cbr\u003eWooly lo-fi sketches from the prolific Jonas Torstensen, who also records under the name Franciska and runs the unassuming Afvikling kassetter label. It’s hard to put a finger on exactly why this music gets under the skin the way it does. The arrangements are simple, the recording quality studiously muffled and blurred. And yet the worlds it conjures are as absorbing as the shifting patterns on a rain-soaked window in a moment of precious idleness and boredom. One to live with, really.\u003c\/span\u003e \u003cbr\u003e\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=434702810\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/kashual.bandcamp.com\/album\/den-falmede-dag\"\u003eDen falmede dag by Jonas Torstensen\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp\u003e--\u003cbr\u003e\u003cstrong\u003eFROM THE LABEL:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA new year, some fresh Kashual Plastik. Absolute organic. The campfire is burning, FM radio in the air, with not so frequent frequencies. Gently waiting for the flood that brings no water. An accordion weeps, an organ cries, sweet acoustic guitar chords, a dancing piano, a shy voice, singing intimate stories. Sacred white noise in the off. Bits of found sounds in the accounts. Reverbs reversing. All in happiness, so full of melancholy. Dream music for open-eyed musers. Right from the Scandinavian hemisphere, where freeze is in the breeze at the start of a new year circle. Not much sunlight. But Jonas Torstensen aka Franciska, the Danish musician that bewitches us discreetly, just drifts through darkness with his unmatching, tremendously charming experimental DIY style. Tender music, in old Woodsist lo-fi spirit. It can make you cry. Can make you shy. Maybe a smile goes by. Don’t ask why. Just be a spy and scout this sound. It's like a tangy grape; heavy immune support enclosed in a melodious vitamin resort. When the day is over, it all loops on. Into a zone, where happiness is more than just a warm gun for a quick hum. Buy it. Eat it. Feed it. There comes the time you need it.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43920330817670,"sku":null,"price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Jonas_Torstensen_-_Den_falmede_dag.jpg?v=1776547658"},{"product_id":"jon-collin-early-music","title":"Jon Collin - Early Music","description":"\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eJon Collin\u003cbr\u003e\u003c\/strong\u003eEarly Music\u003cbr\u003e\u003cspan\u003eEarly Music\u003cbr\u003e\u003c\/span\u003eSweden, 2013\/2026\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003eWild, lonesome early work from the incredible Jon Collin, presented in a beautiful new edition on his Early Music imprint (which presumably took its name from this). Apart from a few burnt electric pieces, there’s an emphasis on acoustic slide guitar with a more pronounced American Primitive influence than on more recent outings, both stylistically and in terms of raw emotion. This music ages just beautifully—a welcome occasion to revisit.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3796044910\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/earlymusic.bandcamp.com\/album\/early-music\"\u003eEarly Music by Jon Collin\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43932086993030,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Jon_Collin_-_Early_Music.jpg?v=1777082448"},{"product_id":"heith-tarawangsawelas-duori","title":"Heith \u0026 Tarawangsawelas - Duori","description":"\u003cp\u003e\u003cstrong\u003eHeith \u0026amp; Tarawangsawelas\u003c\/strong\u003e\u003cbr\u003eDuori\u003cbr\u003eStroom\u003cbr\u003eBelgium, 2026\u003cbr\u003eLP\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWild new one on Stroom!\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2884956714\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/stroomtv.bandcamp.com\/album\/duori\"\u003eDuori by Heith \u0026amp; Tarawangsawelas\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFROM THE LABEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eDuori is an imaginary word. It combines the ideas “dentro” (inside) and “fuori (outside) invoking a place between.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHeith and Tarawangsawelas met in Bandung in 2017, since then their collaboration has been evolving, both in person and remotely. The result is ‘Duori’ an album of 5th world music in low data mode that travelled inside lost and found portable recorders, on defunct hard drives and expired e-sim cards.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecording and arranging songs over a long period of time and across a vast geographical distance has lent their practice a distinct character. This distance allows the possibility to see things from different perspectives and creates music that hovers both inside the Sundanese Land, and outside of it, both on the European continent and not. This record carries compositions from one side of the globe to the other, catching spirits and energies from different places, societies and rituals.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTheir first sketches were influenced while witnessing the Reak ceremonies in Bandung and they were recorded at Tesla Manaf (Kuntari) studio in Bandung. They found inspiration on nights spent at the jaipong clubs, smoking cigarettes and talking about ghosts. The songs then developed while on tours around\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e Europe, playing separately and together.\u003cbr\u003e\u003cbr\u003eTheir song titles are in Indonesian, Italian and English, underling the linguistic shapeshifting of the project, and showing how any linguistic barrier was surpassed by a strong spiritual connection between them as artists. This record is also the story of a friendship, a spiritual bond that goes beyond the differences in their backgrounds and practices. A bond that redefines geographies and creates new psycho-geographies.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43973684985990,"sku":null,"price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/a1935631659_10.jpg?v=1778354864"},{"product_id":"go-hirano-corridor-of-daylights","title":"Go Hirano - Corridor of Daylights","description":"\u003cp\u003e\u003cb\u003eGo Hirano\u003c\/b\u003e\u003cbr\u003eCorridor of Daylights\u003cbr\u003eBlack Editions\u003cbr\u003eJapan\/USA, 2004\/2019\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eGo Hirano was an outlier on Tokyo’s psych-heavy P.S.F. Records. Here, he offers up delicate, unstudied home recordings of piano, melodica, and wind chimes, captured \u003cem\u003eau plein air\u003c\/em\u003e on a gentle summer day. Weekend morning, sun coming in full through the windows, good book on the coffee table—hard to think of a better companion.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1247006229\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/gohirano.bandcamp.com\/album\/corridor-of-daylight\"\u003eCorridor of Daylight by Go Hirano\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43985377493126,"sku":null,"price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Go_Hirano_-_Corridor_of_Daylights.jpg?v=1778818306"},{"product_id":"gustav-kemps-lonesome-for-a-storm-cassette","title":"Gustav Kemps - Lonesome For A Storm (Cassette)","description":"\u003cp\u003e\u003cstrong\u003eGustav Kemps\u003c\/strong\u003e\u003cbr\u003eLonesome For A Storm\u003cbr\u003eMotion Ward\u003cbr\u003eUSA, 2026\u003cbr\u003eCassette\u003c\/p\u003e\n\u003cp\u003eHushed, beautiful guitar wandering and glitchy ambient drift. Loosely tonal, restrained, and atmospheric, this tape unspools with the deliberate purpose and steady comfort of a ceiling fan.\u003cbr\u003e\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=257620077\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/motionward.bandcamp.com\/album\/lonesome-for-a-storm\"\u003eLonesome For A Storm by Gustav Kemps\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFROM THE LABEL:\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003cmeta charset=\"UTF-8\"\u003e“Lonesome for a Storm” is the result of a felt sense in the summer of 2024. A fleeting feeling in the body meditated on and played through a restrained palette of instruments and found sound. LFAS is Gustav Kemps’s first solo album under his own name, but he’s been a frequent behind the scenes collaborator in various other bands (if you can connect the dots, there’s a lot to find). Mystery can be fun, but this album of his feels tender and generous in what it conveys.\u003cbr\u003e\u003cbr\u003eRIYL: Empress, Loren Connors, Penguin Cafe Orchestra, The Humble Bee, Yo La Tengo, Taku Sugimoto...\u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":44006895812742,"sku":null,"price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Gustav_Kemps_-_Lonesome_For_A_Storm.jpg?v=1779055484"},{"product_id":"flaer-preludes-2026-edition","title":"Flaer - Preludes (2026 Edition)","description":"\u003cp\u003e\u003cstrong\u003eFlaer\u003c\/strong\u003e\u003cbr\u003ePreludes\u003cbr\u003eOdda Recordings\u003cbr\u003eUK, 2023\/2026\u003cbr\u003eLP\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe first release on London’s Odda Recordings is back in a handsome new edition. First released in 2023, Flaer’s Preludes introduced both an artist and label with identities fully formed, pastoral instrumentals that are both scattered and organized, flickering like embers or drifting like dandelion seeds.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=426940852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/flaermusic.bandcamp.com\/album\/preludes\"\u003ePreludes by Flaer\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFROM THE LABEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003eArtist and multi-instrumentalist Flaer looks to the landscape to explore pastoral melancholy on debut release, Preludes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEnsconced in his family home in rural Leicestershire in the early months of 2020, painter and musician Realf Heygate (b. 1994) picked up his childhood cello for the first time in several years and began to play.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSetting himself parameters to only record onto 4-track tape with acoustic instruments – cello, piano and acoustic guitar – he assembled a suite of instrumental compositions that form the basis of Preludes, his debut album as Flaer and the inaugural release on Odda Recordings.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChannelling the tension and unease between the pastoral idyll of the English countryside and the darkness which lurks beneath the surface, the mini-album draws inspiration from the analogue aesthetic of 1970s folk horror films, weaving field recordings of birdsong, church bells and the natural environment into chimerical melodies that reflect on Heygate’s childhood experiences of rural England.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“It was really important not to isolate the sound from its environment,” he explains, describing the compositional and recording process as “site-specific”. Developed over a series of intuitive\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e musical enquiries, the mini-album’s uncanny quality emerges from combining raw demo takes with overdubs of an almost orchestral grandeur.\u003cbr\u003e\u003cbr\u003eHeygate points to the final track as indicative of the work as a whole: “‘Follow’ really is the mantra for the release and embodies the practical approach I was taking to music making: not to force the music but see where it takes you.”\u003cbr\u003e\u003cbr\u003eAs a painter, Heygate’s practice takes artefacts through sequences of reproduction that embrace the fluctuating materiality of the copy. Since obtaining a degree in Fine Art from Central Saint Martins in 2017, he has exhibited solo at Peter von Kant and Springseason galleries in London, and has participated in group shows at Saatchi Gallery, Cob Gallery and Senesi Contemporanea.\u003cbr\u003e\u003cbr\u003eDescribing his artistic practice as one of self-erasure, music instead provides Heygate with a more personal and autobiographical outlet. Where the two worlds combine is on Preludes’ striking artwork, which features paintings of 13th century stone carvings from the font of the church in the town where he grew up.\u003cbr\u003e\u003cbr\u003eSpeaking to a time where people were connected to the land in a more profound way, each symbol is assigned to a track on the album, which Heygate likens to giving them a title.\u003cbr\u003e\u003cbr\u003e“To add that one juxtaposition might open a whole new interpretation or language that might be hard to find otherwise,” he explains. “Over time it might reveal itself to you, which is why I'm excited about it being released. To throw them out there and see what comes of it.”\u003cbr\u003e\u003cbr\u003eAs the name suggests, Preludes is just the beginning.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":44007010828422,"sku":null,"price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/full.jpg?v=1779042744"},{"product_id":"andrea-giordano-kalle-moberg-jo-david-meyer-lysne-radis","title":"Andrea Giordano \/ Kalle Moberg \/ Jo David Meyer Lysne - Radis","description":"\u003cp\u003e\u003cstrong\u003eAndrea Giordano \/ Kalle Moberg \/ Jo David Meyer Lysne\u003c\/strong\u003e\u003cbr\u003eRadis\u003cbr\u003eBlack Truffle\u003cbr\u003eItaly\/Norway\/Australia, 2026\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eFolkloric, improvised art songs based on texts by Piedmontese poets, giving new life to a language on the brink of extinction. A strange and beguiling intersection between the gritty timbres of experimental improv and the tuneful lilt of pastoral folk traditions.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1956712914\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/blacktruffle.bandcamp.com\/album\/radis\"\u003eRadis by Andrea Giordano \/ Kalle Moberg \/ Jo David Meyer Lysne\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp class=\"MsoNormal\"\u003e--\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFROM THE LABEL:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eYou can watch a documentary video about the recording of the album here: \u003c\/span\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003ca href=\"https:\/\/youtu.be\/4KR2ZaBkxDQ\" target=\"_blank\" title='Making of \"Radis\" Documentary' style=\"color: rgb(43, 0, 255);\" rel=\"noopener\"\u003eyoutu.be\/4KR2ZaBkxDQ\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBlack Truffle is pleased to present Radis, the first recording by the Oslo-based trio of Andrea Giordano (voice and organetto), Kalle Moberg (accordion) and Jo David Meyer Lysne (guitar and snare drum). Now based in Norway, Giordano is a native of Cuneo, in the Piedmont region in the north-west of Italy and her exploration of the Piedmontese language provides the starting point and conceptual anchor of the trio improvisations heard on Radis, which make use of the words of 20th century Piedmontese poets Nino Costa, Bianca Dorato and Oreste Gallina. As the musicians explain, the project is an attempt to preserve the beauty and singularity of a language at risk of extinction. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFittingly, the first sound we hear on the opening piece ‘Fiorìa’ is Giordano’s unaccompanied voice. She sings a poem from Oreste Gallina as a kind of floating cadenza, the accompanying silence sensitizing the listener to the pellucid quality of Giordano’s voice and the unique sound of the Piedmontese language. The voice dies away and into the silence swells a single tone, sounded by Moberg’s accordion and—special guest on this opening\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e piece—the alto saxophone of Mario Gabola. Extended techniques and preparations create unexpected timbres from the acoustic instruments: Gabola’s saxophone is augmented with tin cans and springs and Moberg’s unorthodox techniques allow the accordion to generate wheezing, buzzing textures and patterns of microtonal beating. Giordano’s voice returns, picking up the thread of the languorous opening melody, coexisting for a while with the shifting drone before the piece takes an unexpected yet organic left-turn into a delicate saxophone solo of sorts.\u003cbr\u003e\u003cbr\u003eRecorded in several locations across Italy and Norway over the course of three years, Radis documents an ensemble who have developed both a distinctive sound-world and a remarkably sensitive group dynamic. Moving from folkish duets between accordion and Giordano’s organetto (the small accordion used in Italian folk music) to episodes of metallic guitar scraping from Meyer Lysne, the music is both quietly contemplative and gently chaotic. Ensemble roles shift with disarming ease. If on ‘Profij dëspers’ Meyer Lysne’s prepared guitar adds a haywire noise element to a lyrical episode of accordion, the next piece, ‘D’antorn a lor’, is grounded in chiming guitar chords of stunning beauty; once Giordano’s joins, the result calls up the most spacious moments of Maria Monti’s Il Bestiario. Throughout the seven pieces, the trio explore countless possibilities of group interaction and the margin between conventional euphony and pure abstraction: at times the voice floats against silence or seems almost disconnected from the gentle clatter of the instruments (sometimes reminiscent of Nikiforas Rotas’ haunting settings of Cavafy), while at other points the instruments touch on conventional harmonic accompaniment. What is perhaps most striking of all is the way that voice and instruments relate to each other, the extended technique reframing the voice as a kind of abstract sound object, while the melodic beauty of Giordano’s voice lends a contemplative, almost melancholic air to the wheezing and scraping of accordion and guitar.\u003cbr\u003e\u003cbr\u003eCaptured in gorgeously intimate recordings, Jim O’Rourke’s careful and beautifully spacious mix highlights the wealth of textural detail in each element. Accompanied by notes, session photos and the text of the Piedmontese poems, Radis is a work of stunning beauty that demonstrates the vitality of exploratory music in Norway today.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":44007011582086,"sku":null,"price":36.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Andrea_Giordano_Kalle_Moberg_Jo_David_Meyer_Lysne_-_Radis.jpg?v=1779044792"},{"product_id":"kimimi-има-イマ","title":"KiMiMi - ИМА (イマ)","description":"\u003cp\u003e\u003cstrong\u003eKiMiMi\u003c\/strong\u003e\u003cbr\u003eИМА (イマ)\u003cbr\u003eConatala\u003cbr\u003eJapan, 2026\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003eI’ve been eager to hear more from Tokyo’s KiMiMi since a breakthrough tape in 2023. His music presents a unique form of worldly, folkloric nostalgia—syncretic, singular, and deeply imagined. His signature instrument is the gaida (a Bulgarian bagpipe), which he supplements with accordion, guitar, flute, ukulele, piano, foot-pump organ, melodica, xylophone, and subtle synthesizer tones.\n\u003cbr\u003e\u003cbr\u003e\nThis follow-up, his first LP, is even more compelling. Inspired by and incorporating field recordings of the blueprint-free construction of Tokyo's Arimasuton Building, KiMiMi finds the perfect foil to his nostalgic melodies in the modern realism of construction noise, urban bustle, and breezy chat. The environment provides both an architecture and a counterbalance, joining soaring melodies to moments of quiet contemplation in a way that feels both grounded in the moment and sedimented with the passing time.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3031408271\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/conatala.bandcamp.com\/album\/-\"\u003eИМА (イマ) by KiMiMi\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp\u003e\u003cstrong\u003eFROM THE LABEL:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e‘ИМА (Ima)’ is a work by KiMiMi, the solo project of a musician Shin-ya Ohno, which captures the layers of time and the presence of people inhabiting ‘Arimasuton Building’—a self-built structure created over 20 years by architect Keisuke Oka, located in Mita, Tokyo, and reconstructs them into music.\u003cbr\u003eA multi-instrumentalist who masterfully handles a diverse range of instruments, with the gaida (an ancestor of the bagpipes) – which he studied in Bulgaria – at the core of his sound, KiMiMi has previously brought traces of daily life and folk melodies recorded during his travels back to the scale of home recording, weaving fantastical folk soundscapes through cassette tape works and stage music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eAlongside his musical activities, he has participated in the construction work for ‘Arimasuton Building’, recording the sounds of hammers and steel beams echoing on site, lunchtime chatter, the melodies of instruments played by others, and the sound of cars passing by. From the end of 2022, a zine titled ‘Monthly Arimasuton Building Urimasu’, based on this construction project, was launched. KiMiMi incorporates these recordings into the musical works he contributes to each issue, layering sounds from live instruments—including the gaida, accordion, guitar, flute, ukulele, piano, foot-pump organ, melodica and xylophone—alongside a few synthesiser tones, to shape a soundscape imbued with the humidity and breath of the site.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eKiMiMi’s creative process is characterised not by planned construction, but by an attitude of entrusting the work to chance, intuition and the passage of time. Fragmented recordings are layered, set aside for a time, and then unearthed again. Through this repetition, the music naturally takes shape. This resonates perfectly with the process of ‘Arimasuton Building’, which was built up improvisationally, layer by layer, without any pre-prepared blueprints.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e‘ИМА (Ima)’ marks the current stage of KiMiMi’s sonic journey and represents an attempt to gracefully transcend the boundaries between architecture and music, documentation and creation, and the individual and the community. The clamour of the city, the tranquillity of manual labour, laughter, and every sound resonating at the Arimasuton Building site blend with KiMiMi’s music, reflecting the very passage of time in which people live.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":44063961415814,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/a0071453691_10-2.jpg?v=1781300228"}],"url":"https:\/\/seasonalworkrecords.com\/collections\/dry-grasses.oembed","provider":"Seasonal Work","version":"1.0","type":"link"}