{"title":"EM Records","description":"","products":[{"product_id":"goat-new-games-rhythm-sound","title":"goat - New Games \/ Rhythm \u0026 Sound","description":"\u003cp\u003e\u003cstrong\u003egoat\u003c\/strong\u003e\u003cbr\u003eNew Games \/ Rhythm \u0026amp; Sound\u003cbr\u003eEM Records\u003cbr\u003eJapan, 2023\u003cbr\u003eLP (2024 repress)\u003c\/p\u003e\n\u003cp\u003eDizzying rhythmic dervishes from Japan’s goat, driven largely by drums and palm-muted guitar. Everything’s so tight and precision-driven that it’s often hard to believe this is a band playing physical instruments. Liable to blow the minds of underground heads \u0026amp; virtuosity appreciators alike.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1852664320\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/emrecords.bandcamp.com\/album\/new-games-rhythm-sound-2\"\u003eNew Games \/ Rhythm \u0026amp; Sound by goat\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42163247677574,"sku":null,"price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/goat_-_New_Games_Rhythm_Sound.jpg?v=1751143405"},{"product_id":"brenda-ray-dya-hear-me-naffi-years-1979-84","title":"Brenda Ray - D'Ya Hear Me! : Naffi Years, 1979-83","description":"\u003cp\u003e\u003cstrong\u003eBrenda Ray\u003c\/strong\u003e\u003cbr\u003eD'Ya Hear Me! : Naffi Years, 1979-83\u003cbr\u003eEM Records\u003cbr\u003eUK\/Japan, 2012\/2023\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003eTruly inspired set of dubby New Wave pop with a DIY punk sensibility. As Brenda Ray said of her band, “Naffi were completely do it yourself and lo-fi, a secret society releasing secret hits!\" Big tip for fans of Vivien Goldman, The Raincoats, and The Slits. But really, who wouldn’t like this?\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1985556255\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/brendaray.bandcamp.com\/album\/brenda-ray-naffi-years-1979-1983\"\u003eBrenda Ray.  naffi years 1979-1983 by Brenda Ray\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42163299647622,"sku":null,"price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/71mkm4_7hSL._UF1000_1000_QL80.jpg?v=1739570361"},{"product_id":"mustapha-skandrani-istikhbars-improvisations-1","title":"Mustapha Skandrani - Istikhbars \u0026 Improvisations","description":"\u003cp\u003e𝐌𝐮𝐬𝐭𝐚𝐩𝐡𝐚 𝐒𝐤𝐚𝐧𝐝𝐫𝐚𝐧𝐢\u003cbr\u003eIstikhbars \u0026amp; Improvisations\u003cbr\u003eEM Records\u003cbr\u003eFrance\/Japan, 1965\/2024\u003cbr\u003eLP (2024 repress)\u003c\/p\u003e\n\u003cp\u003eTotally singular piano works based on traditional Algerian vocal pieces called istikhbars. Skandrani starts with the melody of each tune and then improvises on the mode, sketching out crystalline, single-note runs as intricate as the patterns of a Berber carpet. Captivating.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1031536089\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/emrecords.bandcamp.com\/album\/istikhbars-and-improvisations-2024-repress\"\u003eIstikhbars and Improvisations [2024 repress]（イスティクバルと即興） by Mustapha Skandrani\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42163303022726,"sku":null,"price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/a0697779583_10.jpg?v=1739577753"},{"product_id":"7fo-竜のぬけがら-ryu-no-nukegara-2025-edition","title":"7FO - 竜のぬけがら Ryu no Nukegara [2025 Edition]","description":"\u003cp\u003e\u003cstrong\u003e7FO\u003c\/strong\u003e\u003cbr\u003e竜のぬけがら Ryu no Nukegara\u003cbr\u003eEM Records\u003cbr\u003eJapan, 2018\/2025\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003eDelightful, puckish, dub-kissed electro from Osaka’s 7FO on the great EM Records. I’d play video games if it felt like this.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1134777474\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/emrecords.bandcamp.com\/album\/ryu-no-nukegara-2025-edition\"\u003e竜のぬけがら Ryu no Nukegara [2025 Edition] by 7FO\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42163303612550,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/7FO_-_Ryu_no_Nukegara_2025_Edition.jpg?v=1751149097"},{"product_id":"sab-crystallization","title":"SAB - Crystallization","description":"\u003cp\u003e\u003cstrong\u003eSAB\u003c\/strong\u003e\u003cbr\u003eCrystallization\u003cbr\u003eEM Records\u003cbr\u003eJapan, 1978\/2025\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003eFirst vinyl reissue of the second release on Osaka’s legendary Vanity records. SAB recorded this kosmische, New Age, neoclassical wonder at the age of 19 in 1978, his only solo release before vanishing into the mist—a trait that Vanity seemed to favor in their talent. A heady brew of burbling synths, FX, and piano glissandi—like Eno in the practice room of a music conservatory, with sitar \u0026amp; guitar joining the music of the spheres for the finale.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=653085652\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/emrecords.bandcamp.com\/album\/crystallization\"\u003eCrystallization by SAB\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42163306496134,"sku":null,"price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/SAB_-_Crystallization.jpg?v=1751149480"},{"product_id":"sheriff-lindo-and-the-hammer-ten-dubs-that-shook-the-world-2025-edition","title":"Sheriff Lindo and the Hammer - Ten Dubs That Shook The World [2025 Edition]","description":"\u003cp\u003e\u003cstrong\u003eSheriff Lindo and the Hammer\u003c\/strong\u003e\u003cbr\u003eTen Dubs That Shook The World [2025 Edition]\u003cbr\u003eEM Records\u003cbr\u003eAustralia\/Japan, 1988\/2025\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCult classic from 1988, re-emerging thanks to Japan’s EM Records to shake the world anew. The one-man project of Australian Anthony Maher aka Sheriff Lindo, these are startlingly convincing reggae dub productions spiked with a little UK-style post-punk edge. Sure, it’s eight tracks as opposed to ten, but why leave a title that good on the table?\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=912037845\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/emrecords.bandcamp.com\/album\/ten-dubs-that-shook-the-world-2025-edition\"\u003eTen Dubs That Shook The World [2025 Edition] by Sheriff Lindo and the Hammer\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42397999366278,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Sheriff_Lindo_and_the_Hammer_-_Ten_Dubs_That_Shook_The_World.jpg?v=1755976655"},{"product_id":"tapes-summer-jam-c-w-summer-jam-10","title":"Tapes - Summer Jam (10\")","description":"\u003cp\u003e\u003cstrong\u003eTapes\u003cbr\u003e\u003c\/strong\u003eSummer Jam c\/w Summer Jam (Live Acid Mix)\u003cbr\u003eEM Records\u003cbr\u003eUK\/Japan, 2020\/2025\u003cbr\u003e10\"\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eAptly titled “Summer Jam” by 8-bit wizard Tapes! An absurdly catchy synth flute melody dances over a nice \u0026amp; easy digi-dub beat. Total bop—it’s a treat when fun music pays this much attention to detail. Big tip for fans of those 7FO records in the shop.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1996432691\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/emrecords.bandcamp.com\/album\/summer-jam-c-w-summer-jam-live-acid-mix\"\u003eSummer Jam c\/w Summer Jam (Live Acid Mix) by Tapes\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42398003331206,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Tapes_-_Summer_Jam_10.jpg?v=1755977410"},{"product_id":"takao-the-end-of-the-brim","title":"Takao - The End of the Brim","description":"\u003cp\u003e\u003cstrong\u003eTakao\u003cbr\u003e\u003c\/strong\u003eThe End Of The Brim\u003cbr\u003eEM Records\u003cbr\u003eJapan, 2025\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA cozy blend of retro-synth ambient, plucky Japanese environmental music, and downtempo vocal pieces. While the program is quite varied, the production has a consistent ‘80s hi-fi quality, both flickeringly nostalgic and hi-def. Better with every spin.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1400349722\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/emrecords.bandcamp.com\/album\/the-end-of-the-brim\"\u003eThe End of the Brim by Takao\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp class=\"MsoNormal\"\u003e--\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFROM THE LABEL: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eAt long last, Takao is back with his long-awaited second album, seven years in the making. His 2018 \"Stealth\" was (and still is) a much-loved set, mixing elements of ambient and environmental music; with this new release Takao breaks free of the gravitational pull of these earlier influences and strides confidently forward. \"The End of the Brim\" jettisons some of the more abstract elements of his previous work, embracing a “universal listenability” and a more concrete intensity, with a focus on supple rhythms and strengthened senses of melodic development and harmonic sophistication. This musical growth can be linked with Takao’s admiration of composers Ken Muramatsu and Toshifumi Hinata, who are generally associated with commercial “production music” and easy listening. Another contributing factor is his private study with veteran keyboardist Ichiko Hashimoto of Colored Music. The ten tracks here include three vocal tracks, with three different singers (Yumea Horiike, Cristel Bere, Atsuo Fujimoto of Colored Music) and seven keyboard-led pieces. The vocal pieces are integral parts of the album’s flow, rather than typical “songs” driven by the name and personality of the singer. All of these factors, plus the veteran presence of engineer Hiroshi Haraguchi, known for his work with Haruomi Hosono, who mixed half of the album's\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e tracks, along with the use of excellent old-school synths, aligned with Takao’s forward-looking vision, have combined to give us an album with a unique sense of timelessness. A spotlight illuminating future paths for pop music, available on CD\/Vinyl LP\/Digital, with English\/Japanese lyrics, and liner notes by Yuji Shibasaki.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42546788302982,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Takao_-_The_End_of_the_Brim.jpg?v=1762113577"},{"product_id":"noah-creshevsky-hyperrealist-music-2011-2015-10th-anniversary-edition","title":"Noah Creshevsky - Hyperrealist Music, 2011-2015","description":"\u003cp\u003e\u003cstrong\u003eNoah Creshevsky \u003cbr\u003e\u003c\/strong\u003eHyperrealist Music, 2011-2015\u003cbr\u003eEM Records\u003cbr\u003eUSA\/Japan, 2025\u003cbr\u003eLP [10th Anniversary Edition]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eUNREAL. Or, excuse me, “hyperreal.” Cited as an inspiration for Spencer Doran’s Componium Ensemble project, Noah Creshevsky’s work gets a well-deserved spotlight on Japan’s EM Records. Disparate musical clips arranged with remarkable precision, ingenuity, and humor, Creshevsky’s sound world is the closest you can get to hearing an eternal present, the noise made by people across time \u0026amp; cultures swirling together in an impossible now.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2375003433\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/emrecords.bandcamp.com\/album\/hyperrealist-music-2011-2015-10th-anniversary-edition\"\u003eHyperrealist Music, 2011-2015 [10th Anniversary Edition] by Noah Creshevsky ノア・クレシェフスキー\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp class=\"MsoNormal\"\u003e--\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFROM THE LABEL: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\"Hyperrealist Music, 2011-2015\" is a selection of late masterpieces by Noah Creshevsky, a proponent of \"Hyperreal Music,\" which opened a new door to cyber-human music.\u003cbr\u003e\u003cbr\u003eThis collection, featuring seven pieces from 2011 to 2015, celebrates Noah Creshevsky's 70th year with a fittingly life-affirming and masterful verve. An award-winning composer who has studied with Nadia Boulanger and Luciano Berio, he began composing electronic music in 1971, using the power of circuitry, tape and then digital technology to create a \"hyperreal\" musical world in which recordings of human performers, both vocalists and instrumentalists, are juxtaposed and recombined in compositions which span eras, cultures and genres. His use of expanded musical palettes arises from an aesthetic of inclusion, guided by an open spirit and an expansive musical sense. The combination of the emotional power of human performances with the precision of computers create real-beyond-real super-performances of surprising control and virtuosity, resulting in a hypothetical and yet very real music, full of drama, humor, and tenderness. This album, Creshevsky's second release on EM, following the 2004 \"Tape Music\" compilation, gives ample evidence of both his mastery of digital technology and his profound, empathetic musical instincts. His ability to use the computer to highlight the gifts of human performers is displayed on every track, including a piece which focuses on Japanese vocalist Tomomi Adachi.\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42546791481478,"sku":null,"price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Noah_Creshevsky_-_Hyperrealist_Music_2011-2015_10th_Anniversary_Edition.jpg?v=1762114229"},{"product_id":"componium-ensemble-8-automated-works","title":"Componium Ensemble - 8 Automated Works (10\")","description":"\u003cp\u003e\u003cstrong\u003eComponium Ensemble\u003cbr\u003e\u003c\/strong\u003e8 Automated Works\u003cbr\u003eEM Records\u003cbr\u003eUSA\/Japan, 2025\u003cbr\u003e10\"\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSpencer Doran of Visible Cloaks returns with a gorgeous, uncanny set of compositions composed \u0026amp; performed by virtual instruments. Inspired by the rich history of mechanical instruments dating back to 9th-century Baghdad, and especially by Dietrich Nikolaus Winkel’s 19th-century self-composing componium, he brings the conversation with machines into the 21st-century with characteristic grace \u0026amp; imagination. Mind-blower.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2372336815\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/emrecords.bandcamp.com\/album\/8-automated-works\"\u003e8 Automated Works  八つの自動作曲作品集 by Componium Ensemble コンポニウム・アンサンブル\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp class=\"MsoNormal\"\u003e--\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFROM THE LABEL: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cdiv data-tooltips='{\"tooltips\":[],\"dash_seen\":null}' class=\"trackView leftMiddleColumns has-art\"\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eEM Records is proud to present “8 Automated Works”, the first full release by Componium Ensemble, an “indeterminate chamber music” ensemble helmed by Spencer Doran of Visible Cloaks. Situated in a lineage of automated music that traces back to the ancient Greeks, Doran uses the possibilities of digital technology and its ability to automate a huge range of virtual instruments to move beyond human impulses and limitations to allow “new shapes to emerge”. Dedicated also to Noah Creshevsky, pioneer of what can be considered cyber-human music, Componium Ensemble features a wide and intriguing range of instruments including prepared piano, bowed harpsichord, celesta, bass clarinet, flute, cello, bamboo tingklik and more, often in multiple groupings. Despite this variety of instrumentation and the seemingly formidable theoretical underpinnings, the music is very accessible and attractive, spaciousand fresh, with a light touch and a sophisticated melodic sense which will appeal to pop fans as\u003cspan class=\"bcTruncateMore\"\u003e well as classical\/contemporary music listeners. The album is mixed by longtime collaborator Joe Williams (Motion Graphics, Lifted) and available in 10-inch vinyl, CD and Digital formats, with EN\/JP liner notes by Doran and a hyper-realistic cover by Japanese visual artist\/graphic designer Kai Yoshizawa, using 3DCG software. The CD and Digital formats also feature a Carl Stone remix bonus track.\u003cbr\u003e\u003cbr\u003e“The history of automated instruments reaches back as far as Archimedes and his \"organum hydraulicum”, but it was the Banū Mūsā brothers in 9th-century Baghdad who first perfected the concept of a programmable, automated musician: a mechanically controlled flute which performed using a cistern’s hydraulic water pressure and a system of arrangeable punchcards using a visionary proto-MIDI structure. As European clock-making and mechanical music caught up to the Islamic Golden Age a millennium later, automated instruments intersected with aleatoric composition in Dietrich Nikolaus Winkel’s “self composing” Componium, a mechanical organ with two irregularly-shifting barrels that is said to have been able to arrange upwards of 55 trillion variations of an 80 bar piece divided into alternating 2 bar sections of pins. It is this intersection of chance systems and musical automatons that forms the terrain for the pieces on this release. \u003cbr\u003e\u003cbr\u003eThese basic principles remain unchanged in the contemporary virtual studio, but the array of automatable instruments within our software systems has widened to a near-unfathomable degree (not to mention the speed and ease in which they can be summoned). Virtual players can be manipulated by far deeper aleatoric processes of note randomization, tempos modulated by the pseudo-naturalistic values of perlin noise, with even the physical properties of instruments erratically contorted and continuously in flux...” - S. 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Returning to his Cambodian homeland after a youth spent absorbing hip hop in France and the U.S., Visal’s energy and focus inspired a new musical generation; his love of Cambodian music as well as hip hop melded with his ear for jazz, funk and soul, and led to the creation of some very cool music from the artists he brought to his label. The 12 tracks on this CD are the very finest from the first decade of the KlapYaHandz galaxy. Hip hop, yes, but very definitely Cambodian hip hop, with traditional and Golden Age musical elements very prominent. Very cool, very Cambodian, very cosmopolitan, and very contemporary, but the past is always present, a love of musical history lighting the way forward.\u003c\/div\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43066684964998,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Various_Artists_-_KlapYaHandz_Vol.1_The_Cream_of_the_Crop_2001-2011_CD.jpg?v=1768966546"},{"product_id":"nora-guthrie-emilys-illness","title":"Nora Guthrie - Emily's Illness (7\")","description":"\u003cp\u003e\u003cstrong\u003eNora Guthrie\u003c\/strong\u003e\u003cbr\u003eEmily's Illness (7\")\u003cbr\u003eEM Records\u003cbr\u003eUSA\/Japan, 1967\/2025\u003cbr\u003e7\"\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eAn absolute gem of a melancholic chamber pop tune recorded by Woody Guthrie’s daughter at the age of 17. There’s an outsized pathos to the A-side, a raw confrontation with mortality that only a teenager could realize. The lovely B-side is also featured on the beloved \u003cem\u003eSky Girl\u003c\/em\u003e compilation.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0hNdshl0zGU?si=CfwpDxr2KowS7XWw\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43066759151750,"sku":null,"price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Nora_Guthrie_-_Emily_s_Illness_7.jpg?v=1768970023"},{"product_id":"eddie-marcon-torso-home-before-dark-c-w-home-before-dark-recomposed-by-torso","title":"Eddie Marcon \u0026 Torso - Home Before Dark c\/w Home Before Dark (Recomposed by TORSO) (7\")","description":"\u003cp\u003e\u003cstrong\u003eEddie Marcon \u0026amp; Torso\u003c\/strong\u003e\u003cbr\u003eHome Before Dark c\/w Home Before Dark (Recomposed by TORSO)\u003cbr\u003eEM Records\u003cbr\u003eJapan, 2025\u003cbr\u003e7\"\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDid I dream this into existence? The B-side from one of my all-time favorite 7”s, “Home Before Dark” by Nora Guthrie—as featured on my favorite compilation, \u003cem\u003eSky Girl\u003c\/em\u003e—is covered by both of my favorite contemporary Japanese artists. Eddie Marcon lends a lovely, understated take on the A side. Just perfect. The flute \u0026amp; cello duo Torso provides an ephemeral deconstruction on the flip. You really can’t have too much of a good thing.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3627404851\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/emrecords.bandcamp.com\/album\/home-before-dark-c-w-home-before-dark-recomposed-by-torso\"\u003eHome Before Dark c\/w Home Before Dark (Recomposed by TORSO) by ゑでぃまぁこん (Eddie Marcon), トルソ (Torso)\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43066763214982,"sku":null,"price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Eddie_Marcon_Torso_-_Home_Before_Dark_c_w_Home_Before_Dark_Recomposed_by_TORSO_7.jpg?v=1768970217"},{"product_id":"the-worm-pantilde","title":"The Worm - Pantilde","description":"\u003cp\u003e\u003cstrong\u003eThe Worm\u003c\/strong\u003e\u003cbr\u003ePantilde\u003cbr\u003eEM Records\u003cbr\u003eUK\/Japan, 2025\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eA singular avant-folk odyssey by Cornish musician and performance artist Amy Lawrence as The Worm. Originally conceived for the stage, \u003ci\u003ePantilde\u003c\/i\u003e adds some delightful oddity to the rustic folk tradition of Vashti Bunyan and her ilk. Or, coming at it from the other direction, they bring an uncharacteristically naturalistic and melodic palette to performance-based art music. Whichever way you frame it, another curveball from EM Records, and another keeper.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1916719944\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/emrecords.bandcamp.com\/album\/pantilde\"\u003ePantilde（パンティルデ） by The Worm（ザ・ワーム）\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43066774519942,"sku":null,"price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/The_Worm_-_Pantilde.jpg?v=1768971009"},{"product_id":"aus-eau","title":"aus - Eau","description":"\u003cp\u003e\u003cstrong\u003eaus\u003c\/strong\u003e\u003cbr\u003eEau\u003cbr\u003eEM Records\u003cbr\u003eJapan, 2025\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eShimmering ambient mirages courtesy of the Tokyo-born composer and producer Yasuhiko Fukuzono. On \u003ci\u003eEau\u003c\/i\u003e, he foregrounds the traditional sound of the Japanese koto, played sensitively by Eden Okuno, rounding out the edges with vaporous synths, sine waves, and sparse piano. Quite beautiful.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3653653175\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/emrecords.bandcamp.com\/album\/eau\"\u003eEau（オー） by aus（アウス）\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43066782580870,"sku":null,"price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/a3967254135_10.jpg?v=1768971308"},{"product_id":"yasuhito-ohno-music-in-dna","title":"Yasuhito Ohno - Music in DNA","description":"\u003cp\u003e\u003cstrong\u003eYasuhito Ohno\u003cbr\u003e\u003c\/strong\u003eMusic in DNA\u003cbr\u003eEM Records\u003cbr\u003eJapan, 1984\/2026\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003eUnaccountably whacked-out DIY post-punk synth business recorded by Yasuhito Ohno in early-‘80s NYC and self-released back home in Japan in 1984. Made entirely with a four-track, a Roland Juno-60, and Ohno’s unassuming voice, this is music as whimsical and utopian as it is grimy, urban, and unadorned. It has a very ‘80s-NYC blend of grit and futurism, but the transpacific cross currents with the likes of Japan’s Vanity Records make the whole thing woozily uncanny, a total UFO.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1533370813\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/emrecords.bandcamp.com\/album\/music-in-dna\"\u003eMusic in DNA by Yasuhito Ohno\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43751913947270,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Yasuhito_Ohno_-_Music_in_DNA.jpg?v=1774812292"},{"product_id":"jeff-bruner-four-corners","title":"Jeff Bruner - Four Corners","description":"\u003cp\u003e\u003cstrong\u003eJeff Bruner\u003cbr\u003e\u003c\/strong\u003eFour Corners\u003cbr\u003eEM Records\u003cbr\u003eUSA\/Japan, 2026\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eOsaka’s EM Records compiles wide-ranging works spanning six decades from an undersung West Coast American minimalist composer. The 21-minute “Magic Mbira” utilizes tape delays and thumb pianos to create a chattering, hypnotic soundworld reminiscent of Terry Riley. The shorter pieces on the B-side range from two mixes of a leftfield, post-punk reggae tune to contemplative solos for gut string banjo and piano respectively.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=637797756\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/emrecords.bandcamp.com\/album\/four-corners\"\u003eFour Corners by Jeff Bruner\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFROM THE LABEL: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003e\"Four Corners\" is a compilation that showcases the various facets of American West Coast minimalist composer Jeff Bruner, with pieces from the 1970s to the 2020s displaying a cohesive set of aesthetic concerns. Bruner has a kinship with the composers Harold Budd and Daniel Lentz, the latter being a mentor to Bruner, and one can hear a relationship with the music of other minimal\/post-minimal composers such as John Adams and Terry Riley.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1979’s “Magic Mbira”, a key piece in this collection, particularly highlights a Riley-esque element, and with its skillful use of tape delays reminiscent of Lenz's \"cascading echo system.\" Bruner and his mbira piece also have musical affinities with Roland P. Young and his classic Isophonic Boogie Woogie, in their shared melodic and structural concerns, as well as a desire to perform their compositions in a wider range of performance spaces, away from traditional recital halls.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnother side of Bruner is revealed in the funhouse-mirror “Reggae Foes”, a deconstructionist calypso-reggae tune and\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e skewed Black Ark filtered through Cunningham\/Toop’s General Strike. The remaining two pieces are melancholy beauties of solo instrumentation: “Cold Rain and Snow” is a fretless gut-string banjo re-imagining of an American folk song; “Remembrance in a Pale Room” is a lovely piano piece dedicated to Lentz. Bruner has built upon a tradition, altering and adding to it with his individual vision, giving us this collection of intriguing and beautiful music. Available on CD\/Vinyl\/Digital, and the physical version includes E\/J liner notes by Jeff Bruner, rare photos \u0026amp; the score for \"Magic Mbira”.\u003cbr\u003e\u003cbr\u003e-----------------------------------------\u003cbr\u003e\u003cbr\u003e\"I first came across Jeff’s mysterious \"Reggae Foes\" 45 in the mid-2000s at the legendary Logos book\/record store in Santa Cruz, California (RIP) - the kind of generic sleeve and label that gives you nothing more than a font and some scant shards of text to go by (luckily this text was “A Flying Saucer Came Down and Burnt My Baby's Neck”). What I heard upon bringing it home felt like some kind of alternate-timeline post punk calypso, unknowingly adjacent to the deconstructions occurring at the Black Ark or in David Cunningham’s early productions. When I finally talked to Jeff many years later, I was even more surprised to learn that he was also entrenched in southern California’s post-minimalist composer scene in the 1970s alongside many of my compositional heroes, work which this compilation presents for the first time. Couldn’t think of a better place for it to be transmitted from than EM!\" (Spencer Doran\/Visible Cloaks)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":44063968395398,"sku":null,"price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Jeff_Bruner_-_Four_Corners_album_cover.jpg?v=1781301968"}],"url":"https:\/\/seasonalworkrecords.com\/collections\/em-records.oembed?page=2","provider":"Seasonal Work","version":"1.0","type":"link"}