{"title":"London Fog","description":"\u003cp\u003eGloomy romance (and just plain gloominess) from the British Isles.\u003c\/p\u003e","products":[{"product_id":"a-large-sheet-of-muscle-dracula-completo","title":"A Large Sheet Of Muscle - Dracula Completo","description":"\u003cp\u003e\u003cstrong\u003eA Large Sheet Of Muscle\u003c\/strong\u003e\u003cbr\u003eDracula Completo\u003cbr\u003eThe Trilogy Tapes\u003cbr\u003eUK, 2024\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003eSurreal, soot-black maunderings from Louis Johnstone aka Wanda Group aka A LARGE SHEET OF MUSCLE, with awkward tufts of beauty poking through. Fans of the bleakest, most cerebral British humour—from Withnail and I to The Shadow Ring—should check in.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3712411334\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thetrilogytapes.bandcamp.com\/album\/dracula-completo\"\u003eDRACULA COMPLETO by A LARGE SHEET OF MUSCLE\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":41591734206598,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/a0798139594_10.jpg?v=1739644530"},{"product_id":"great-area-light-decline","title":"great area - light decline","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003egreat area\u003c\/strong\u003e\u003cbr\u003elight decline\u003cbr\u003eRelaxin' Records\u003cbr\u003eUK, 2025\u003cbr\u003e12\"\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eAttention-grabbing EP on Lolina’s Relaxin Records label. As far as I can tell, we don’t know who great area is, but we do know these songs were made with bass guitar, vocals, and samples (though I’d have never guessed). No-frills earworms with singsong melodies that land somewhere between Lolina’s London street smarts and the dreamy melancholy of Broadcast’s Trish Keenan. You want this!\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=908286187\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/relaxinrecords.bandcamp.com\/album\/light-decline\"\u003elight decline by great area\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":41592790352006,"sku":null,"price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/a1861046866_10.jpg?v=1739722436"},{"product_id":"lone-capture-library-all-natures-most-mundane-materials","title":"Lone Capture Library - All Natures Most Mundane Materials","description":"\u003cp\u003e\u003cstrong\u003eLone Capture Library\u003c\/strong\u003e\u003cbr\u003eAll Natures Most Mundane Materials\u003cbr\u003eA Colourful Storm\u003cbr\u003eUK\/Australia, 2021\/2025\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003eDelightful side quest from Rory Salter AKA Malvern Brume, first released as a CD-R in 2020. Improvised \u0026amp; recorded straight to tape in single takes, these tracks were inspired by an impulsive 21-mile walk along a busy English road. It’s a curious origin story that makes perfect sense, capturing the humble beauty of these rugged synth treks—restless, lonesome, comforting, \u0026amp; self-sufficient.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3926992309\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/malvernbrume.bandcamp.com\/album\/all-natures-most-mundane-materials-2\"\u003eAll Natures Most Mundane Materials by Lone Capture Library\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42344057831558,"sku":null,"price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Lone_Capture_Library_-_All_Natures_Most_Mundane_Materials.jpg?v=1753674099"},{"product_id":"jemima-even-the-dog-knows","title":"Jemima - Even The Dog Knows","description":"\u003cp\u003e\u003cstrong\u003eJemima\u003cbr\u003e\u003c\/strong\u003eEven The Dog Knows\u003cbr\u003eAll Night Flight\u003cbr\u003eUK, 2025\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eReally special debut from Jemima: low-lit electric guitar sketches with occasional murmured vocals. This could be Philly or New Zealand in the ‘90s, or Scotland in the early ‘80s, but it’s South London in the dreadful ‘20s. A ritual of self-soothing and meager warmth, a portal to the quiet, momentary bliss that can open up like a clearing at the center of feeling absolutely miserable. Light a candle, find a nice rug to curl up on, and let this one seep into you.\n\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePlease note: \u003c\/strong\u003eThe sleeves on my latest copies have minor seam splits. Nothing egregious.\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=910176834\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/jemima-online.bandcamp.com\/album\/even-the-dog-knows\"\u003eEven The Dog Knows by Jemima\u003c\/a\u003e\u003c\/iframe\u003e\n","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42408019329158,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Jemima_-_Even_The_Dog_Knows.jpg?v=1756510864"},{"product_id":"the-shadow-ring-hold-onto-i-d-copy","title":"The Shadow Ring - Hold Onto I.D","description":"\u003cp\u003e\u003cstrong\u003eThe Shadow Ring \u003c\/strong\u003e\u003cbr\u003eHold Onto I.D.\u003cbr\u003e\u003cspan\u003eBlank Forms Editions\u003c\/span\u003e\u003cbr\u003eUK\/USA, 1997\/2025\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2Fk2qdSVaAk?si=mm6rz-9GMn5D4owC\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eFROM THE LABEL:\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eRecorded from late 1996 through early 1997, Hold Onto I.D., The Shadow Ring’s fourth album, marks the apogee of the trio’s experimental rock epoch—their last record clinging to their factitious bandness before they let all song and structure go awash in sonic malaise for their final run of releases on Swill Radio. The surrealist dreams of City Lights and Put the Music in Its Coffin give way to pseudo-expressionistic lyrics mired in the banality and bleakness of the everyday, set against the backdrop of the Coombe House (as pictured on the album’s cover). While Hold Onto I.D. is the group’s most overtly autobiographical release to date, Graham Lambkin’s lyrics obfuscate his expressionist tendencies filtering them through the codes and languages of officialdom, linking the “inner self” with documents of the state—identification cards, National Insurance numbers, and British passport numbers. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHaving moved out of their parents’ homes and into the top floor of the famed Coombe House, Lambkin and Darren Harris set out to rework material drafted over the previous year, aided by Tim Goss, still safely in residence at the “Valebrook Inn.” While the familiar sounds of Harris’s deadpan recitation and Lambkin’s electric guitar, amateurishly strummed, dominate the album, the emotive\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e interludes of Goss’s keyboards populate the record along with of home-cooked tape experiments and dime-store concrète. Originally released on CD and supported by a US tour with friends Scott Foust and Karla Borecky’s Idea Fire Company, Hold Onto I.D. is perhaps the band’s best-known and most accessible album. (The Shadow Ring’s sole representative on a streaming platform, it was once acknowledged by the Guardian as one of “the 101 strangest records on Spotify.”) Offered here for the first time on vinyl, Hold Onto I.D. is an essential album for both completists and the uninitiated alike. \u003cbr\u003e\u003cbr\u003eThroughout their legendary, decade-long run, The Shadow Ring were an enigmatic force on the international musical sub-underground. Before their disbandment in 2002, this shambolic rock outfit, formed by a group of rowdy teenagers in southeast England, left behind a mighty run of eight LPs, a handful of 7\"s, and a spate of raucous live shows and cryptic zine appearances on both sides of the Atlantic, all which have bolstered their enduring word-of-mouth mystique. Beginning in 2023 with the first-ever vinyl pressing of the self-released pre–Shadow Ring tape The Cat \u0026amp; Bells Club (1992), Blank Forms Editions has been conducting a systematic retrospective of the storied group. Wax-Work Echoes and Hold Onto I.D. are the latest releases in a multiyear reissue effort that includes several LPs, a comprehensive CD box set, and a nearly five-hundred-page book.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42410815422598,"sku":null,"price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/The_Shadow_Ring_-_Hold_Onto_I.D..jpg?v=1756680729"},{"product_id":"luke-cowan-six-places","title":"Luke Cowan - Six Places","description":"\u003cp\u003e\u003cstrong\u003eLuke Cowan\u003c\/strong\u003e\u003cbr\u003eSix Places\u003cbr\u003eInfinite Expanse\u003cbr\u003eUK, 2025\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003eRuminative, layered instrumentals from London’s Luke Cowan. Following two lovely self-released records—both titled \u003ci\u003eSpring, Summer, Autumn, Winter\u003c\/i\u003e—\u003ci\u003eSix Places\u003c\/i\u003e finds him lingering in the autumnal mood. Rustic, textured, crackling like leaves or fire and suffused with an abiding inner warmth, it’s just the thing for shorter days \u0026amp; longer nights.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=644705633\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/infiniteexpanse.bandcamp.com\/album\/six-places\"\u003eSix Places by Luke Cowan\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42446754676870,"sku":null,"price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Luke_Cowan_-_Six_Places.jpg?v=1758235279"},{"product_id":"kevin-mccormick-david-horridge-light-patterns","title":"Kevin McCormick \u0026 David Horridge - Light Patterns","description":"\u003cp\u003e\u003cstrong\u003eKevin McCormick \u0026amp; David Horridge - Light Patterns\u003c\/strong\u003e\u003cbr\u003eLight Patterns\u003cbr\u003eSmiling C\u003cbr\u003eUK\/USA, 1982\/2021\u003cbr\u003eLP (2025 Repress)\u003c\/p\u003e\n\u003cp\u003eGlassy, mellow guitar duets from the early ‘80s, supremely low-key and lightly jazz-scented. A wonderful discovery by Smiling C, back in print.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1764842486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/smilingc.bandcamp.com\/album\/light-patterns\"\u003eLight Patterns by Kevin McCormick \u0026amp; David Horridge\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFROM THE LABEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLight patterns in a glass dream\u003cbr\u003eSound fountains in a gentle stream\u003cbr\u003eSmoked visions in another room\u003cbr\u003eForm and fade all too soon\u003cbr\u003e\u003cbr\u003eIn 1970, Kevin and David met whilst they were working in the Labour Exchange Office on Aytoun St, Manchester. Both played guitar and had been searching for other musicians who played atmospheric music. Kevin had been playing in small clubs in Manchester and David had been playing in a few local bands. One evening, they jammed together, at Kevin’s family home, and quickly realized that their playing blended together to form the basis of the sound they had been looking for.\u003cbr\u003e\u003cbr\u003eIn the late 70s, the music scene in Manchester was bursting with new bands and music. Kevin and David, however, had little in common with the local acts, being disciples of a more meditative approach. They followed a path of their own, reaching for an otherworldly sound that they heard from artists like John Martyn, David Crosby, Erik Satie, Terry Riley, Eberhard Weber, Alice Coltrane, and Ralph Towner. They experimented combining their acoustic guitars and David’s bass with various effects pedals and techniques to try and achieve\u003cspan class=\"bcTruncateMore\"\u003e a warm and expansive sound that rides the line between ambient, jazz, and psychedelic folk Music.\u003cbr\u003e\u003cbr\u003eTowards 1981, they had written eleven songs and accompanied a few with Moog synthesizer laid down by Rob Baxter. All were recorded on cassette decks in their simple home studios. They named this collection of music “Light Patterns”, after a poem Kevin had written. With Light Patterns complete, they set out to find a label to represent their music.\u003cbr\u003e\u003cbr\u003eThey started playing a few gigs in Manchester; Band On The Wall, the Gallery, and other venues, such as Rotters which local promoter Alan Wise had organized. They set up with small amps along with their effects and played as though they were back at home. As Kevin remarks, “It was unusual, to say the least, to play such venues in a low volume chilled out way. However, people listened, often in shocked curiosity, and some even asked for tapes.”\u003cbr\u003e\u003cbr\u003ePeter Jenner, of Blackhill Enterprises, eventually picked up the album for his new label, “Sheet”. Peter had managed lots of experimental bands and solo artists, including Pink Floyd in their early Syd Barrett days. He always favored outsiders! The tapes were taken to Strawberry Recording Studios in Manchester, who were surprised when Kevin and David walked in with just a couple of home-produced cassette tapes. Fortunately, they liked them and agreed to master the album. It was then sent to Portland Recording Studios in London for final mastering to vinyl. George Peckham, aka “Porky”, did the pressing with a personal message in the deadwax; “Kaftans, Candles and be Cool Man”. The artwork for the album cover was done by the late Barney Bubbles, a truly visionary artist.\u003cbr\u003e\u003cbr\u003eAfter the album’s release, the pair continued to play together regularly until David moved away from the city. Kevin still resides near Manchester in the rolling hills outside of the city. He continues to experiment with dreamy music in his loft, and we are set to share a selection of his ethereal archival and current compositions on vinyl in the coming months. David lives a quiet life in a small coastal town in the South, he likes to sail and is an avid cricket fan. We’re excited to make Light Patterns accessible again for the first time in nearly 40 years, remastered from the original tapes. As the original press release said, “Put the album on, lie back and enter the land of no floors”.\u003c\/span\u003e\u003cspan\u003e  \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42515907281030,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/a2548929823_10.jpg?v=1760222480"},{"product_id":"the-durutti-column-the-return-of-the-durutti-column","title":"The Durutti Column - The Return of the Durutti Column","description":"\u003cp\u003e\u003cstrong\u003eThe Durutti Column\u003c\/strong\u003e\u003cbr\u003eThe Return of the Durutti Column\u003cbr\u003eLondon Records\u003cbr\u003eUK, 1980\/2025\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eQuite simply one of the best! It’s also been hard to find a great copy of, especially considering the OG was housed in a sandpaper sleeve designed to abrade the records on either side of it. Now it’s been remastered for the first time since the ‘80s, half-speed mastered, cut at 45rpm for superior sound quality, and housed in restored “second edition” artwork.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=992631207\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thedurutticolumn.bandcamp.com\/album\/the-return-of-the-durutti-column-expanded-remastered\"\u003eThe Return of the Durutti Column (Expanded \u0026amp; Remastered) by The Durutti Column\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":42963655753862,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/The_Durutti_Column_-_The_Return_of_the_Durutti_Column.jpg?v=1764535797"},{"product_id":"the-horse-the-horse","title":"The Horse - The Horse","description":"\u003cp\u003e\u003cstrong\u003eThe Horse\u003c\/strong\u003e\u003cbr\u003eThe Horse\u003cbr\u003eSad Cow\u003cbr\u003eUK, 2025\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003eCentered around the nucleus of songwriters Owen Kennedy and Luke Cowan, The Horse is a six-piece group based between London and the Fens. Their debut is a breathtaking slow burn of pastoral post-rock and deconstructed folk. The heart of each song is incredibly intimate, close-mic’d and restrained, with plenty of room sound and bags of space, its texture calling to mind the tactile \u003ci\u003eimpasto\u003c\/i\u003e of Cowan’s recent solo album \u003ci\u003eSix Places\u003c\/i\u003e. From there, the songs slowly blossom with tasteful overdubs including brass, sound collage, pinecone, and wind chimes. With its blend of restraint and ambition, \u003ci\u003eThe Horse \u003c\/i\u003efeels like Mark Hollis’s lone solo album reconceived for a nature trail—the sublime found latent in a quivering fern or soft curl of light.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3645140012\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thehorseuk.bandcamp.com\/album\/the-horse\"\u003eThe Horse by The Horse\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43104195149958,"sku":null,"price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/The_Horse_-_The_Horse.jpg?v=1770486017"},{"product_id":"russell-walker-back-to-the-womb","title":"Russell Walker - Back To The Womb","description":"\u003cp\u003e\u003cstrong\u003eRussell Walker\u003c\/strong\u003e\u003cbr\u003eBack To The Womb\u003cbr\u003eRegional Bears\u003cbr\u003eUK, 2025\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003eSurreal, mundane, bleary-eyed, profane sound poetry and hard-cut tape music. The first proper LP from Russell Walker after accumulating a singular, disreputable discography of CDrs and cassettes, a couple on Stockport’s iconoclastic Regional Bears label—to which we owe this pleasure, too. 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Imagine Woo emerging from the New Zealand underground and you’re partway there. It’s midnight somewhere.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1193372309\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/goodsoutward.bandcamp.com\/album\/mote-of-interest\"\u003eMote of Interest by Mari Return\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43104281690246,"sku":null,"price":31.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Mari_Return_-_Mote_of_Interest_10.jpg?v=1770491902"},{"product_id":"the-watchers","title":"The Watchers","description":"\u003cp\u003e\u003cstrong\u003eThe Watchers\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eFolklore Tapes\u003c\/span\u003e\u003cbr\u003eUK, 2026\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003eA bewitching re-imagined soundtrack for the cult film \u003ci\u003eThe Watchers\u003c\/i\u003e from 1969. “Described by Kelly Loughlin as a ‘semi-rural folk horror,’ \u003ci\u003eThe Watchers\u003c\/i\u003e may feature the earliest depiction of an alien abduction in British cinema. Shot on 16mm black-and-white film by students of the Royal College of Art and running just 26 minutes, the film weaves together themes and stylistic elements that would later become hallmarks of British folk horror.”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe music fits the bill perfectly, moving from organic folk timbres to the uncanny and the otherworldly with grace and wondrous dread.\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3211873968\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/folkloretapes.bandcamp.com\/album\/the-watchers\"\u003eThe Watchers by Folklore Tapes\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"UTF-8\"\u003eArtists:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDan B-Hill\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJulie \u003c\/span\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e7:12 \u003cbr\u003eThorn Wych\u003cbr\u003eMark S Williamson\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003eRadiophoric Labs\u003cbr\u003eBridget Hayden\u003cbr\u003eSam McLoughlin\u003cbr\u003eEdd Sanders\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43727370420358,"sku":null,"price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/The_Watchers.jpg?v=1774103449"},{"product_id":"thought-leadership-iv-of-cups","title":"Thought Leadership - IV Of Cups","description":"\u003cp\u003e\u003cb\u003eThought Leadership\u003c\/b\u003e\u003cbr\u003eIV Of Cups\u003cbr\u003eBe With Records\u003cbr\u003eUK, 2026\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThought Leadership is back at it, heads-down, crafting emotive drum machine \u0026amp; guitar music that wears its influences and its heart on its sleeve. If you have a soft spot for The Durutti Column, classic 4AD, and Johnny Marr, you have to appreciate the craft, earnestness, and commitment to the vision here. Glassy, gorgeous, timeless stuff.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1298769091\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/darklyinclinedtapes.bandcamp.com\/album\/iv-of-cups\"\u003eIV of Cups by Thought Leadership\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43809732165766,"sku":null,"price":36.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Thought_Leadership_-_IV_Of_Cups.webp?v=1775400406"},{"product_id":"rocheman-basin","title":"Rocheman - Basin","description":"\u003cp\u003e\u003cstrong\u003eRocheman\u003cbr\u003e\u003c\/strong\u003eBasin\u003cbr\u003eThe Hotel\u003cbr\u003eUK, 2026\u003cbr\u003eLP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOW SHIPPING\u003c\/strong\u003e in pristine new jackets! Thanks for your patience while I got that sorted. Worth the wait!\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003eDigitally self-released in 2022, and now appearing on vinyl for the first time courtesy of The Hotel in an edition designed by Thomas Bush, \u003ci\u003eBasin \u003c\/i\u003eis a quiet masterpiece of late-night London sophisti-pop. Alternately recalling Scott Walker, The Blue Nile, and the beguiling, rain-damp adult contemporary moments on those early Jolly Discs records by Special Occasion and Never, Rocheman’s work doesn’t shy away from bold gestures or grand feelings. Indeed, it’s a tension between melodrama and quiet honesty that seems to animate the work. His chamber pop arrangements wear their taste and sophistication on their well-turned sleeves, but there’s inevitably a moment when the \u003ci\u003efabriqué \u003c\/i\u003edigital textures of the instruments glitch through, a flickering glimpse of the 21st-century surreality underwriting the confessional sincerity of these pensive tunes.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2809268075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/rocheman5000.bandcamp.com\/album\/basin-lp\"\u003eBasin LP by Rocheman\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp\u003eAs the artist himself puts it:\u003cbr\u003e\u003cbr\u003e\u003ci\u003ethis album spanned a few years, bookended by my Dad’s passing and the birth of my child. a lot of it was made in our damp basement. the album went through a lot of concentrated periods of understanding what my Dad had left behind, how deep family karma goes, how it still shows up. through intimate relationships, the outside world, everything the mind tries to say. this project has often been a sense maker of a lot of confusing stuff. for some reason early on it became compelling to stick as much as possible to cheap MIDI sounds, to see if something arose from writing quite grandiose, occasionally melodramatic things, funnelled through faux instruments doing bad impressions of real ones. for some reason it matched the dichotomies that were coming up a lot in grieving my dad ~ empathy\/lack of resolution, real memories\/unreal selfprotecting stories, my own patterns of BS\/the quieter real self or soul. all still going on in some way. but making this was a very fulfilling way to transmute some of it and pass it on with love.\u003c\/i\u003e\u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43935616073862,"sku":null,"price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Rochmean_-_Basin.jpg?v=1777221853"},{"product_id":"thomas-bush-guld","title":"Thomas Bush - Guld","description":"\u003cp\u003e\u003cstrong\u003eThomas Bush\u003c\/strong\u003e\u003cbr\u003eGuld\u003cbr\u003eLost Domain\u003cbr\u003eUK, 2026\u003cbr\u003eLP\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\"\u003eOne of TWO Thomas Bush releases in a single week. The other is a sprawling tape on Berlin’s Kashual Plastik (which is absolutely amazing). This outing for London’s Lost Domain is a bit more single-minded, the closest thing to a “tekno” album from the shapeshifting, bleary-eyed flaneur of the wee hours of a waning empire’s capital. The thrumming rhythms at the album’s core find an extended moment of relief in the strung out, strung along guitar downerism of “Galver.” Always the same, always different, as John Peel famously described The Fall—and like theirs, Bush’s work is always worth it.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eCollectors note:\u003c\/strong\u003e \u003cem\u003eLast copy, minor lower-left corner ding.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3028448396\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/lostdomain.bandcamp.com\/album\/guld\"\u003eGuld by THOMAS BUSH\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFROM THE LABEL:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003efacedown + loaded with stones\u0026gt;\u0026gt;\u0026gt;\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ethe always getting ready to leave\u0026gt;\u0026gt;\u0026gt;\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ework composted but not completed\u0026gt;\u0026gt;\u0026gt;\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eyes the garden is beautiful but oh, the upkeep––\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ehortical tekno ::: dissipated song-forms ::: versions of you\u003c\/span\u003e\u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43935699239046,"sku":null,"price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Thomas_Bush_-_Guld.jpg?v=1777224410"},{"product_id":"guests-common-domestic-bird","title":"Guests - Common Domestic Bird","description":"\u003cp\u003e\u003cstrong\u003eGuests\u003cbr\u003e\u003c\/strong\u003eCommon Domestic Bird\u003cbr\u003eWorld Of Echo\u003cbr\u003eUK, 2026\u003cbr\u003eLP\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\"\u003eThe latest on London’s trusty World of Echo is the sophomore album by Guests, the home recording project of Jessica Higgins and Matthew Walkerdine. A charming blend of oblique spoken word, untutored singing, and homespun electronics. Comes off like a purposefully amateur answer to label-mates Tara Clerkin Trio.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2976921860\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/by-guests.bandcamp.com\/album\/common-domestic-bird\"\u003eCommon Domestic Bird by Guests\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFROM THE LABEL:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eGuests is the home recording project of Jessica Higgins and Matthew Walkerdine. Vaguely named as such to avoid any problems with the poster if they pull out of a gig (which has only happened once, about a year and half before any songs were actually written to be fair) but also to capture a sense of reverse hospitality. That is, arriving at your door with a bottle of good wine (can’t turn up empty handed) or a fist full of savoury or sweet snacks (time of day dependant); oversharing at the afters (and then passing out on your couch); reading to your toddler while you make their lunch or put everything back where it was meant to go (only to get torn apart again). So, something about what happens when private worlds meet each other, making or having been made a space for. But at times, it’s a different kind of intimacy, a temporal or material one, like the feeling of crisp fresh sheets and abundant and soft, body-part appropriate towels in a hotel in a city you’ve been to before and love to go back to.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTheir debut record, “I wish I was special” was variously described as “a collage of concrète experiments and outerzone pop gestures, music that sounds as if it’s been written from the depths of a dream”; “music for people who love music but also hate it too”; “something like chasing ghosts or befriending a wild animal”\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e; “pulling apart nervous sensations with haphazard ease and requisite humour” and “a melody of refusal, of being all-in (…) finding the exact right WRONG sound to express the discontent”. Common Domestic Bird continues in this vein, layering synthesiser, keyboards and samples over rudimentary drum rhythms and field recordings, which are in turn sung or spoken with to create nine new songs. \u003cbr\u003e\u003cbr\u003eWritten and recorded between autumn 2024 and summer 2025 in Reading, Berkshire, the music has matured since its last outing, in a way, leaning less into collage and more toward structured composition and melodic depth, yet retains a healthy dose of indeterminacy and off-kilter rhythms for the forever amateur. The songs on Common Domestic Bird hint at some “about”ness through a series of discrete vignettes which sound a bit like architecture or end of year lists, gossip or over-thinking subjectivity, like disappearances and impressions, the support structure of the spine, letters and signs offs, things you could really do without and where they should go, hoping you’ll see something that isn’t there, pretences and performance. At times they feel kind of funny, others kind of sad or a bit angry and annoyed, a bit like you really.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Seasonal Work","offers":[{"title":"Default Title","offer_id":43936622084230,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/3874\/2150\/files\/Guests_-_Common_Domestic_Bird.jpg?v=1777228992"}],"url":"https:\/\/seasonalworkrecords.com\/collections\/london-fog.oembed","provider":"Seasonal Work","version":"1.0","type":"link"}